Picture it: this reporter was a 17-year-old ready to enjoy the National Peanut Festival with her high school friends. It was 2015, the November before I graduated.
While I was listening to the normal 2015 groups like Phoenix and Foster the People, I’d always enjoyed my dad’s music. I was raised with the good graces of guitar solos from the Allman Brothers, Derek & the Dominos, Jimi Hendrix, J.J. Cale and Taj Mahal. Dad made sure I understood the magic of what he called “symphonies of guitars.”
When I scanned my ticket on that fall night in 2015, ride armband equipped and ready to chow down on festival food, I spotted a sign that said the Marshall Tucker Band was playing at the amphitheater.
Reader, I knew what I had to do.
I told my friends I’d be ditching them. I found a young boy and asked him, “Hey, kid, you got an armband?” He shook his head no, and I handed mine over.
My memory possibly incorrectly tells me they had just begun the show, but I remember walking up and suddenly being hit with incredible music. It was the sound of sitting in the passenger seat of the truck. It sounded like CDs and talks with Dad. It sounded like seeing the “Blue Angel on a Stick” as we traveled down to see family in Perdido Key.
I paid $5 to sit in “VIP” seating and made my way down to the very front row on the far right. I asked an older man if anyone was sitting there, and he told me I was. So I sat.
At some point he asked me how old I was, and he was surprised when I told him. I said Dad and I listened to this music.
As they pounded out “Fire on the Mountain,” I called Dad and tearfully told him, “I’m watching the Marshall Tucker Band! Right now!” And I held up the phone so he could hear.
He just laughed and told me to enjoy the show.
They played “Desert Skies,” my favorite song, and I cried tears of joy getting to see them.
While lead singer Doug Gray was still alive, Toy and Tommy Caldwell had died by that point. I reveled in the fact I’d met Paul Hornsby, the producer, at the Wiregrass Blues Festival a year or so prior, where I had three bowls of seafood gumbo and lost my mind shaking the hand of the guy who worked so closely with my favorite bands.
I bought the cheapest shirt my just-above-minimum-wage retail salary would allow me and left in a musical daze. I don’t even think I got a corn dog or peanuts after.
So when a couple of months ago I saw the Marshall Tucker Band was coming back to the Circle City, I bought two tickets for me and Dad.
Now, at 27, I saw the Marshall Tucker Band for the second time in my life. It’s an honor to say I may possibly be one of only a handful of 27-year-olds who can say she’s seen them twice.
On Feb. 1, 2025, I put on that shirt I bought for $25 (now dappled with paint from art projects in years past) and hopped in the truck with Dad to go and watch one of our favorite bands.
Doug Gray is still alive — in fact, he’s the last surviving member. The rest of the five-piece band was made up of other Southern boys, the bassist playing Tommy Caldwell’s bass, a white Fender Precision with a Dimarzio split coil pickup.
It was obvious Doug was slowing down — age will affect even a pair of powerhouse lungs like his — and he sat out several songs, playing a tambourine or just watching the rest of the guys have fun.
It was a fun concert, and it was obvious the rest of the newer guys really cared about the band and its history.
Dad saw the Marshall Tucker Band for the first time right after their first album, before they really took off. He said he was in some sort of tavern, and only about a dozen people showed up; the band said something along the lines of, “Well, y’all are here, so we’re going to give you a show.”
He said it was incredible.
The next time Dad saw them, it was after “Can’t You See” became a hit song. There were plenty more concertgoers that time, and Dad fondly remembered a 45-minute jam session.
Seeing the Marshall Tucker Band again was cathartic for us both. We both sang along and enjoyed watching the folks a few nine-dollar Michelobs deep dance to the familiar tunes.
Sure, the band is getting ready to become one of those lost treasures of the musical world. But hearing the entire Civic Center sing along to “Can’t You See” fills you with an appreciation that’s hard to explain. It felt like being at Bryant-Denny when Alabama wins the football game, or at Jordan-Hare when Auburn wins. It felt like the family getting together for Thanksgiving and an impromptu jam session starting when the uncles break out the guitars and fiddles. It felt like driving down a back road with the windows down, all your friends belting out the same song from your beat-up 1999 car.
The Marshall Tucker Band’s music is already akin to serving your soul the same way your grandma’s home-cooked food did. Seeing them live again reminded me of that feeling — plus, they played “Desert Skies” again.
Can’t you see what that band’s been doing to me?